M. Cristina Marras
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Stealing souls in Venice [Cities and Memory]

A lone figure moves through Venice with a hidden recorder, gathering voices and sounds from strangers who have no idea they are being captured. Part field recordist, part outsider, part something harder to name — this is a first-person account of listening as compulsion, observation as survival, and sound as the only thread connecting someone to a world they no longer quite belong to.

For Cities and Memory

24/12/2021
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